Friday, December 18, 2015

Karate Programming: The Software

This post really is very closely connected to the last one, but I've broken it up because it tackles a different aspect. Mostly conditioning, meaning operant conditioning. I'd also like to take the time to cite Rory Miller from Chiron Training as the source for the basic idea though the execution is somewhat different.

The next step in programming ourselves using karate is to condition our brain to react accordingly to the situation without having to run through a laundry list of techniques or responses. We are giving general jobs to the movements in our kata, which I believe are used generally to attack our opponents based on position and not necessarily based on our opponent's own attack. They can attack from the left, right, back, front, and laterally (coming in from the sides) and medially (coming down the middle).  To a lesser extent they can attack from above and below. This leaves about eight positions and a few basic counters and reversals, which is much easier to hold in our heads and condition than the thousands of different individual attack variations, which can be thrown at us.

We condition ourselves through partner practice by using trial and error, and employing the stimulus, response, success and failure pattern to ingrain it. This means for every situation we are given (the stimulus) we act (the response) and it either succeeds or fails. When we succeed our brain releases "feel good" hormones, which reward us, like when we do well on a test, or it punishes by making us feel bad, like when we do horrible on a test. The successes we will retain and reuse and the failures will slowly be weeded out and abandoned.

An example of this is the first set of repeated movements in Seisan. It's a middle block, punch, step combination, which is most beneficial for attacks where the opponent comes straight down the middle. The stimulus for your partner is any attack that comes down the middle. Grabs, punches, pushes, kicks, gouges etc as long as they come down the middle are neutralized and countered with the above movement. Your partner is not constrained by strict adherence to the movement, but is allowed to use it as they wish to reach a successful result. Each success or failure is allowed to stand on it's own. It's also important to note that your partner doesn't have to use the movement differently for each attack. If it works, they should keep doing it the same way. If it fails, they should try something different.

While you can be made aware of what plane of attack your partner is going to use, you should not be aware of the individual attack. This will keep you from preemptively preparing yourself for each attack. You won't know what your enemy may do, so you shouldn't train like you can read minds.

These are the general guidelines I use to train myself and my wife and they've been much more successful than any of the previous drills and exercises that I've tried to ingrain these techniques. I hope they're helpful to you in your own training.

Tuesday, December 15, 2015

Karate Programming: The Wiring

Practice doesn't make perfect, perfect practice makes perfect.

This is something I heard in the Marine Corps, and I think it brings up an important difference when it comes to how we build neurological pathways in our brain. This is how we learn most anything, but it applies to karate as well.

The more we practice something the more neural pathways we build in our brain for that activity. Our brain has a property called plasticity where it can adapt itself and literally change it's structure to make certain activities more efficient. The more we perform a movement the more efficient our brain becomes in interpreting and initiating the movement. Walking is a good example.

We may forget this at times, but walking is a learned skill. Children learn how to walk through trial and error until they can get the timing and weight shift correct to walk without falling. The more the children walk the stronger those neural pathways for walking become until they become almost unconscious movement. If we are in good health, we usually don't have to think about putting one foot in front of the other and we use our body's ability to sense position to guide our movements instead of sight. It is the cumulative affect of those successful steps that lead to those neural pathways being strong. If the unsuccessful attempts outweigh or are even with the successful attempts than the neural pathways remain weak.

Karate practice must be the same way. Deliberate, consistent and with intent over and over again until the principles of those movements build strong neural pathways. The more movements the longer this takes, the more inconsistent the techniques the more those pathways become diluted.


In karate, we use structure to defeat strength. Proper bone alignment and posture leads to good structure, which must be perfect every time. We want to obliterate our enemy with a strike, not break our hand or wrist. Each movement must conform to proper mechanics and structure. Practice must be conducted carefully to only build pathways for the most efficient and most useful movements and techniques and weed out all those that are sub optimal or redundant.

The next step is conditioning those movements through operant conditioning to hard wire the correct circumstances where each movement can be used. We've perfected the movement now we need to give it a job to do.

Saturday, December 12, 2015

Karate Programming: the hardware

I've spent a little bit of time writing about this in other posts, but I figured I dedicate a couple completely to this idea. The idea is that you can program yourself. Your body and your brain are adaptable. It's how we learn, it's how we get stronger and it's pretty easy to do if you know how to do it.

Training your body is very easy especially when it comes to physical attributes. We may not all have the genetics to look like Arnold in his hay day, but we can definitely make ourselves better. The answer is steady increase in intensity at planned intervals. It doesn't need to be much of an increase. We're not Olympic athletes for the most part. We can throw out much of what professional athletes do, because we're not training for a big game. We're training for an unforeseeable event that we hope will never happen.

All you need to know is how your body adapts to exercise. When you workout your body adapts by overcompensating the recovery of your muscles for future stress. This over compensation period occurs one to three days after you workout. It's important that you increase the intensity of your workout within this time frame, so that the pattern repeats itself. If you workout after this super recovery period your muscles will have reverted back to their previous state because you didn't stress them again during the appropriate time.

This is all you need to know about exercise. Pick some exercises you enjoy doing and go for it, and you can forget everything you ever read in the muscle rags.

It's important to recognize that professional athletes have huge amounts of resources behind them including constantly evolving manufactured performance enhancing drugs, which change the way you train. Steroids for example almost completely change the way you lift. When you take steroids, which I don't and never have, all you need to do is get your reps in. You've taken out your body's natural cycle of recovery, adaptation and hormone secretion. Basically the more you lift, the bigger you get.

The mental aspects of karate training is where careful planning and knowledge of how we build neural pathways for skills come into play. I'll elaborate on this more in the next post.


Saturday, December 5, 2015

A Few Minutes a Day and Life as Training

I try and practice karate in some shape or form every day. Sometimes it's for a few minutes, sometimes it's for a few hours, but I always try and do something even if it's just doing sections of the kata while I'm cooking dinner.

I always let my mood and energy level dictate the amount of training that I do. It can be fun to try and push through the pain and train hard for a few hours, but if I find myself glancing up at the clock more than a few times than I call it a day. Karate has to be fun after all.

Today for example J and I did four minutes of training. I attacked her for two minutes and she attacked me for two minutes. The idea isn't to stay on defense it's just to learn how to counter off the cuff and end things in as few moves as possible. We also practiced our kata for a few minutes. This is sufficient for one day. A little kata, a little hands on training and you still have enough energy in case things go sideways during the day.


I try and make karate a habit in my day to day life. One way I use my life as training is by choosing to forgo power tools when I can and do things by hand. For instance, I'm currently hacking apart a giant maple tree that's lying in my front yard. It was threatening to topple over onto our house, so now it's in our yard. I'm using an axe and chopping away at it until it's small enough for me to use my little chainsaw to eat through the rest of it. Today, I spent an hour and a half at it. I also never use the elevator in buildings, park at the back of parking lots, walk whenever I can and choose to ride my bicycle when I'm able.

These are simple things, which can make you stronger without setting aside huge chunks of your day devoted to training.

Thursday, December 3, 2015

BAB training

Training with J went well. We took some time working through applying some of the kata movements, and began work on a new section. She's very comfortable with the first repeating set of the kata. A middle block/ punch combination that can be used in a variety of ways. She's become very good at jamming her forearm into my neck if the opening arises and more than once she put me on my butt.

She was less comfortable with the second section we worked on though that should change with just a little bit more practice. She just needs to remember to keep contact, so that you're aware of where your opponent's limbs are without looking. I was able to get her with a variety of circular attacks, but she was still able to perform the main application of the movement.

The funny thing is that she thinks that I've let her get the better of me, but she's been improving so quickly and adapting so readily to the new concepts that I'm scrambling to defend and counter with other sections of the kata, but once she's gotten the hang of those she'll be exceptionally hard to deal with. One of the signs that techniques are working as they should is they feel too easy. When you use structure, you don't feel muscular strain or the resistance that is inherent in other practices, so it sometimes feels as if you're doing nothing.

We finished up the session with five minutes of Rory Miller style one-step sparring. We use a metronome to tick off a steady beat and on each beat we each make one move simultaneously against each other. It helps you work to improve your efficiency since you have little time to adapt and readjust to your opponent making you do many things with a single movement.

Wednesday, December 2, 2015

Some thoughts on structure

I think I've mentioned structure, but I don't think I've actually explained what it is. Structure is basically just using the natural alignment of your skeletal system to facilitate power generation and conservation. You can lose energy in your techniques through shock absorption if your structure collapses kind of like jumping down from somewhere and bending your knees to absorb the shock. If you have good structure backing up your punches than you could extend your fist and someone could push on it and you wouldn't move. Your skeleton is supporting the weight that is put on it and transfers it to the ground, so your muscles don't have to do the majority of the work.

Here's an example you can try in the next ten seconds. Get down on the floor in a push up position with your arms straight and shoulder width apart. The bone structure of your arms keeps you up. You need to use very little arm strength to hold this position. You abdominal muscles will most likely give out before your arms do. This is an example of good structure as far as your arms are concerned. Now bend your arms, so you're about halfway to the floor and hold it. Your arms will get tired much more quickly, because you're using muscle to hold yourself up instead of your bones.

With proper structure you can throw almost your entire body weight into your techniques without much of any muscular strength, because your skeleton will support the technique not your muscles. This also brings up the concept of tension. First you don't need to tense at the end of a technique. Tensing your muscles at the end of a technique just makes you tired. It doesn't support anything. I'll prove it. Get down in the push up position again, but as if you were going to do knuckle push ups. Now straighten your arms all the way as before. Now tense your arms as hard as you can. You stayed put right. Okay, now relax your arms as much as you can without bending them. You still stayed put didn't you. You didn't need to tense at all to hold the position. It's the same with punching or any technique. You can relax and if you're structure is good it will still be devastating.

I've been thinking about structure a lot lately especially when it comes to striking. I've been thinking that testing your structure may be more important to powerful striking techniques and easier to achieve than whacking things like a punching bag. It goes back to perfect practice and is very similar I think to makiwara training. There are a few videos out there where people show you how to test your structure. Basically you pick a wall, extend your fist and lean on it like you're punching, if you collapse than your structure is bad, if you just lean there than your structure is good.

I've been kicking around the idea that maybe this should be the bulk of the training used to promote striking. Getting as much energy into the strikes you can land might be more important than getting as much energy into the strikes you want to land. Meaning you might not have three good feet to power a right cross into someone's temple, but you might have one foot to power your fist into someone's kidney. If we use structure to power our techniques than we should focus on strengthening our stances and knowing where we can generate the most power in all positions.


It's funny that I remember reading this somewhere when I was 16 in what was probably an article in Black Belt magazine most likely titled "How to get Monster Power" or something and how I remembered being let down that all it entailed was leaning up against walls. It seemed incredibly boring. Luckily I feel that I'm wise enough to know that just because something can be boring doesn't mean that it's useless.

Tuesday, December 1, 2015

The Dichotomy of the Single Kata

Single kata practice requires a different state of mind than other types of karate. The kata repetitions, the focus on particular movements and the hojo undo make up the completeness of your karate. It becomes where your karate both begins and ends. There are no other kata waiting in the wings to begin polishing, there's no upcoming belt test, no ranking, no sensei to give you a different application now and then for a movement. There is only you and your kata. Deeper understanding comes, but the movements remain the same. It becomes both the journey and the goal itself. If one never has to use their kata to defend themselves, which is the best of all possible scenarios than the practice of kata becomes the culmination of ones training. The practice, the repetitions, the movements and the hojo undo, will impact your life more, if a tragic event never occurs.

This means one must be both satisfied with their practice and unsatisfied as well. They must be satisfied completely with the kata as it stands. Whether it be the first time, or the 10,000th time the kata will be the same but each is also different, each is new. One must also be unsatisfied with the level of their knowledge. One must ask the question why? Every movement becomes a study, a riddle that needs to be uncovered, learned and then perfected.

It becomes moving meditation and violence together, one inseparable from each other and supporting each other.